Tuesday, July 31, 2018

Master Bedroom




Spotted: "Cindy Lahde" on Pinterest after Google image and Pinterest search, ca. July 2018

"Master Bedroom" by Andrew Wyeth (born on 12 July 1917) features the artist's pet dog, a Labrador, asleep on his bed. The article "You see Andrew Wyeth. I see 'Andy'" narrates the artist's granddaughter's stories behind Wyeth's popular works:
Victoria [the granddaughter] said the artist had come home tired one evening, wanting to take a nap, only to find Rattler had got there first. Andy's comment was, "You know, dogs are the damnedest thing. They just take over the house." Hence the title of the painting, "Master Bedroom." No mistaking who's in charge.
(I'm not quite sure, but it's likely that this artwork is in the Wyeth Family of Artists collection of Brandywine River Museum in Chadds Ford, Pennsylvania. It's not appearing on the Museum's online catalogue, though.)

In the Northern Hemisphere, the month of July is also referred to as the "dog days of summer."

Monday, July 30, 2018

Representational




Dateline: 14 July 2018, GSIS Museo ng Sining, Pasay City

Decided to post this painting first - "Ikarus" by Aileen Jacob - among the entries and winners of the 2018 GSIS Art Competition, currently on exhibit at the GSIS Museo ng Sining in Pasay City. Hundreds are on display, and this one was at an unfortunate location, behind a tarpaulin banner announcing the event, boxed off by an adjacent tinted glass door that's permanently pulled open (during the Museum's regular operating hours).

The results of this year's competition is one rare occasion which my personal preferences MOSTLY did not match the jurors (as announced on the GSIS website). I agree that John Paul Dalisay's "Pieta" was best among entries to the sculpture category; there are usually fewer entries in this category compared to the two painting categories. I had other preferences to mostly those adjudged finalists and best in the painting categories. I found myself disagreeing to those that bagged the grand prizes, "FeedARAL" (Ariel N. Catarao) in representational, and "Life is All About Moving" (Arnulfo Malapit Ragma II) in non-representational. Not that they "stole the show;" they are good entries per their respective categories, but I found better ones to my taste. (Then again, I'm no judge.)

As far as I know, the GSIS Art Competition is open to both student and non-student artists, has three categories (representational and non-representational painting, and sculpture), and is not limited to a theme. Competitions like this are a good place to check the social pulse, or the zeitgeist according to people who are capable to interpret it through art.

Plaridel and the National Artist




On 04 July 1896, one of the prominent ilustrados and propagandistas advocating reforms in the Spanish colonial administration of the Philippine Islands, Marcelo H. Del Pilar, better known for his pen name "Plaridel," died. He was editor of La Solidaridad, the principal organ of the reformists in Spain; our college in the University of the Philippines is named in Plaridel's honor. His death anniversary is celebrated in his home town in Bulakan, Bulacan.

In professor-historian Xiao Chua's site, he published on 03 July 2013, text of the news segment he hosted in People's Television (the government's television network), Xiao Time, "Ang Piso ni Anita sa Amang Marcelo Del Pilar." Professor Chua included a picture of a sculpture depicting the death of Plaridel by National Artist for Sculpture Guillermo Tolentino. Renowned for the Oblation, the iconic sculpture of the University of the Philippines, Tolentino was also a Bulakeno, from Malolos City. He was born 24 July 1890, and died 12 July 1976.

And here's something else I found out about Plaridel (in Wikipedia):
On November 30, 1997, the Technical Committee of the National Heroes Committee, created through Executive Order No. 5 by former President Fidel Ramos, recommended del Pilar along with the eight Filipino historical figures to be National Heroes. The recommendations were submitted to Department of Education Secretary Ricardo T. Gloria on November 22, 1995. No action has been taken for these recommended historical figures. In 2009, this issue was revisited in one of the proceedings of the 14th Congress.
Frankly, I'd prefer the issue of National Heroes be taken up again, than talk about federalism and changing the nation's charter. National History Month will be observed next month, August, by virtue of Proclamation No. 339 signed by former President Benigno Aquino III in 2012, and National Heroes Day, an official holiday will be celebrated on 27  August.


[This post is post-dated: 20180727]

Sunday, July 29, 2018

Virgins revisited



Dateline: 07 July 2018, Cultural Center of the Philippines, Manila

Was able to accompany Cebu-based friend Hendri, a producer of performances on stage, do part of his whirlwind Manila catch-up theater roundup. We went to see Set E of the 14th Virgin Lab Fest, the festival of plays that are prior "untried, untested, unstaged" at the Cultural Center of the Philippines. Set E, or re-staging of plays from the previous year's festival, included Eljay Castro Deldoc's "Pilipinas Kong Mahal with All the Overcoat."

Not one to usually fight for tickets in the ever growing crowd of fans and attendees of the VLF, I took exception on this one weekend to reconnect with Hendri. Attendance to Set E appear to be less stressful, I realized; I'd likely do the revisited set again on the next festival.

Plain, heavy, abstract



Dateline: 07 July 2018, Cultural Center of the Philippines, Manila

It's the art that re-frame thinking, even (or especially) on matters of the everyday, that gives me the most headache. This installation is part of Lesley-Anne Cao's The hand, the secretary, a landscape at the Bulwagang Fernando Amorsolo, Cultural Center of the Philippines in Manila. In the accompanying brochure, text by Michelle Esquivias: "With a practice that involves itself with objects (their textures, their evocations, their weights) and looking (its textures, its evocations, its weights), Cao encourages an investigation of how we come to make sense of what we sense." [underscoring mine]

Part of the exhibition is an installation at the CCP's fourth floor atrium (Manila side) that has live camera feed back into the Amorsolo gallery, projected on to a wall.

Saturday, July 28, 2018

Patronship in 900 works (and counting)




Dateline: 03 July 2018, Ayala Museum, Makati City

A selection of paintings, prints and sculptures from the reportedly over 900-piece BPI Collection is currently on exhibit at the ground floor gallery of the Ayala Museum as Historia: Stories of Art, the BPI Collection. On the exhibit's brochure: "The selection of works shows how the themes of harmony, abundance, and resiliency abound in works depicting the values and dreams of the Filipino -- family, community, tradition, and home."

The exhibition is featured on Spot.PH, where it is said that Historia is the second of two exhibits the BPI Foundation and the Ayala Museum worked in partnership on occasion of the Foundation's 40th anniversary.

"The rhizomatic film culture"




Dateline: 03 July 2018, Ayala Museum, Makati City

It's the centenary of Philippine Cinema, and Ayala Museum hosted filmmaker-writer-educator Nick Deocampo for a series of talks on film by the genre. The last one was on the first week of July, about "Documentary: When God Writes the Script." I missed all of Professor Deocampo's talks.

But I was able to visit (more than once) an exhibition he curated, HIDDEN CINEMA: The Virtual Experience of Philippine Cinema's Centenary, presented by the Filipinas Heritage Library, Center for New Cinema, and Samsung, in partnership with the Film Development Council of the Philippines. Found on an event page promoted by the Ayala Museum:
After a hundred years of Philippine cinema being defined by the movie industry, this exhibition revolutionizes the idea of what constitutes Filipino film heritage — by looking at the country’s rhizomatic film culture, a network of interlacing cinematic forms and expressions older and more pervasive in kind than the industrial mainstream format. Imitating such diversity, films are identified in this exhibit according to their distinct cinematic forms. Thematically, each film genre is given an introduction that identifies its cinematic nature and the history it generates.
The cinematic forms referred in this exhibition included the documentary, early cinema, experimental film, short film, independent cinema, student film, among others.

Film screenings at Greenbelt 3 MyCinema also accompanied the exhibition, and those too, I missed out. Cue: "Sayang" (Claire Dela Fuente)

Binondo: Musical in Solaire




Dateline: 01 July 2018, The Theatre at Solaire, Paranaque

A theater producer, Cebuano friend Hendri was in Manila, and offered me an extra complimentary ticket to Binondo: A Tsinoy Musical. The performance schedule was likely for PR purposes, lots of personalities from the performing arts and media attended. I was especially thrilled to meet up some friends back in college whom I only get to chat through social media. They were attending to see a fellow Samaskomer, Tuesday Vargas, who cast in the musical. 

Got this from the production's Instagram:
BINONDO: A Tsinoy Musical tells the story of how LILY, a Filipina nightclub singer in pre-Martial Law Manila, and AH TIONG, a mainland Chinese scholar returning to Cultural Revolution-era Beijing, embark on a journey of great love and heartbreak that begins one fated, moon-lit night during the Mid-Autumn Festival of 1972 in the heart of Manila’s Chinatown.
Uhm. I'm not a theater critic; I won't be able to offer any legit-sounding critique. I know that now because I once tried to write (blog) about the Virgin Labfest of many years ago, and a prominent theater critic, an acquaintance, was at least polite enough not to comment anything about my writing (or maybe he had conveniently forgotten that I attempted to write at all).

Anyway, as I said, I'm not a theater critic. My feelings about the show came with a memory of a story told by another friend, a performance artist back in college, about one production of a material that they felt unsure about but nonetheless gave their all to salvage (e.g. moves Martha Graham would have done herself, flying splits to end all, extensions of the finest geometry). On critics' night, a big-name theater professor participated, and after their presentation, the faculty member stood up, clapped tersely and shouted, "I love the ENERGY!" Then, promptly left. I remembered that story because this one, too, felt like that. 

Salamat, Salamat Musika!





"Salamat, Salamat Musika!" music and lyrics by Gary Granada, interpretation by Nanette Inventor, is the grand prize winner in the professional division of the Seventh Metro Manila Popular Music Festival, or Metropop, in 1984.
Aanhin ang kayamanang di madadala
Aanhin ang kagandahang pansamantala
Ang katahimikan ba ay may magagawa
Upang ihayag ang nadarama
The last week of July is designated as Linggo ng Musikang Pilipino (Week of Filipino Music) by virtue of Proclamation No. 933 in 2014. Liwaliw Sounds features some of the winning entries from Metropop during its run between 1978 and 1985. I selected particularly the winning entries that are about, or that celebrate, music and singing.

Lyrics in this one (particularly those quoted above) was very much in tune with the social consciousness-raising efforts at the time. It was one year after the assassination of former Senator Benigno Aquino Jr., who returned to the Philippines from political exile. The following year, the overstaying occupant of Malacanang will be calling for snap elections. And after next, life as we martial law babies knew, will change dramatically, the Filipino people, on the world stage, much admired and awe inspiring.

Friday, July 27, 2018

Kahit La La La La





"Kahit La La La La," music and lyrics by Nonoy Tan, interpretation by Subas Herrero and Noel Trinidad (the comedic pair formerly known as Champoy), won the grand prize in the amateur division of the Fifth Metro Manila Popular Music Festival, or Metropop, in 1982. The song also appears in the album Ibang Iba ang Champoy.
Kahit la la la la ay pwede na
Kung tanging yan lang ang alam mong letra
Ang mahalaga naman ika'y masaya, di ba
Kahit la la la la ay pwede na
Huwag mong isipin na di mo kaya
Buga lang ng buga, ganyan lang ay okey na
The last week of July is designated as Linggo ng Musikang Pilipino (Week of Filipino Music) by virtue of Proclamation No. 933 in 2014. Liwaliw Sounds features some of the winning entries from Metropop during its run between 1978 and 1985. I selected particularly the winning entries that are about, or that celebrate, music and singing.

Thursday, July 26, 2018

Kay Ganda ng Ating Musika





The last week of July is designated as Linggo ng Musikang Pilipino (Week of Filipino Music) by virtue of Proclamation No. 933 in 2014. For its week-long celebration, liwaliw Sounds features some of the winning entries from the Metro Manila Popular Music Festival, or Metropop, during its run between 1978 and 1985.

I selected particularly the winning entries that are about, or that celebrate, music and singing. And no other way to start this series but the first grand prize winner, in 1978, the song which would later be the Festival's de facto anthem, "Kay Ganda ng Ating Musika," music and lyrics by Ryan Cayabyab, and interpretation by Hajji Alejandro.
Magmula no'ng ako'y natutong umawit
Naging makulay ang aking munting daigdig
Tila ilog pala ang paghimig
Kung malalim, damdami'y pag-ibig
Kung umapaw, ang kaluluwa't tinig
Ay sadyang nanginginig
The First Metropop's other winners include:
  • "Pagdating Mo," music and lyrics by Nonoy Gallardo, and interpretation by Celeste Legaspi, awarded Second Prize;
  • "Narito Ako" (or "Narito Ako Umiibig"), music and lyrics by Nonong Pedero, and interpretation by Maricris Bermont, awarded Third Prize; and
  • "Ibig Kong Ibigin Ka," music and lyrics by Vic Villafuerte and Rolando Tinio (who would be proclaimed National Artist for Theater and Literature in 1997), and interpreted by Anthony Castelo, awarded Fourth Prize.
Check out this YouTube upload of the awarding ceremonies:

Lualhati Bautista spins



Dateline: 21 July 2018, Pasay City

The weekend had the police of Angono, Rizal become an overnight SocMed sensation. They promoted online a tip sheet that advises women on how to prevent themselves from getting raped. It was victim-blaming, plain as day. The controversy was covered in a television news program, where I learned that: (1) the list was based on a consultation with members of the community; (2) the news program's vox populi effort showed common folk agreeing to the idea that women bring upon themselves the tragedy of rape; (3) the police concerned will not apologize for this misogynous effort because they allegedly are genuinely concerned; and (4) but because of the negative reactions they have already withdrawn the material.

I have a friend who was quite blunt at his reaction: for zero rape, there should be zero rapists. But award-winning novelist Lualhati Bautista's spin on rape prevention is best.

(Pinoy Ako Blog still has resibo of the Angono Police notorious advisory.)

Wednesday, July 25, 2018

Few years shy of golden





It's my parents' 48th wedding anniversary; while there seems to be no traditional gift theme related to a celebration of 48 years, at least in one Google Site, a suggested modern-day gift theme was something "optical."

So here's a video for them (and for all of us celebrating with them) to watch: "(They Long to be) Close to You" by the Carpenters from their album Close to You released in 1970. The single was at the top of Billboard's Adult Contemporary chart on the week of my parents' wedding date. It ran at the top of the charts for six weeks, between the weeks of 11 July and 15 August.

The chart started 1970 with BJ Thomas' "Raindrops Keep Falling on My Head," and ended with Perry Como's "It's Impossible." The other Carpenters' hit on the chart that year was "We've Only Just Begun," for seven weeks, between the weeks of 10 October and 21 November.

My parents are some of the biggest Carpenters fans I know. Happy 48th, Mommy and Daddy! We love you!

Friday, July 20, 2018

Dumbele





Memory Served: Sometime between 1983 and 1987, Pasay City and Las Pinas

When my sister got into the all-female high school St. Mary's Academy Glee Club in her sophomore year, I can proudly claim that I was her biggest fan - amazed at the Club's collective talent of combining voices into one harmonious sweet sound, empathized with the occasional terror from the discipline brought down by one masterful conductor named Rodolfo "Boy" Delarmente. But the members and the academe loved him for the honor the Club brought the school (e.g. NAMCYA). And one of the showcase pieces of the Glee Club and Mr. Delarmente was "Dumbele" (turns out, his own composition).

The Cordilleran piece was supposed to be derived from the indigenous people's community prayer for rain (I think in relation to ensuring a bountiful harvest). There was superstition then that performing this piece actually brought rain afterwards. When it did, I think there was this one time, I remember that I couldn't stop myself from exclaiming the authenticity of the power of the prayer. Ah, the innocence... I have but lost it all.

(Couldn't find a good quality YouTube upload of the SMA Glee Club performing this; but  this from Coro San Benildo's performance in the 27th Seghizzi Choral Competition in Italy was impressive.)

Transistor and blankie





Memory Served: Sometime between 1975 and 1982, Makati City

Thoughts of rain flooded me, as similarly, Metro Manila and many other places are experiencing deluge and flooding.

Particular to this 1970's classic from Apo Hiking Society, "Pumapatak na Naman ang Ulan," with the song I recall visuals of my parents' small transistor radio (scratchy reception and tunog lata) and my favorite blanket (I'm not sure now if it's my only). It must be the lines, "Mabuti pa kaya, matulog ka na lang, matulog nang mahimbing." After all, a cancelled playtime in our apartment complex's courtyard due to rains usually meant me getting sent upstairs to take a nap.

Reviewing the lyrics now, this song is pretty strange, very seventies adult tambay strange. And only three pieces of 10-centavo coins for the public payphone, if you can believe that.


[This post is antedated: 20180726]

Enduring childhood melody





Memory Served: Sometime between 1975 and 1982, Makati City

You gotta admit, that is one catchy tune, and one of the best for me as a kid who grew up with Sesame Street (initially in black-and-white). This musical segment, "It's a Rainy Day" has a staying power in my memory; even when I'm already forty plus years away from the time I first saw and heard it, every time I look out the window in view of rain, the first lines "it's a rainy day, it's a rainy day" comes to mind almost always immediately.

Of course, got trained in school to recite the rhyme "Rain, Rain, Go Away," with the entire class in unison... but in my private thoughts, the melody of this Sesame Street segment.


[This post is antedated: 20180726]

Monday, July 16, 2018

Triumph of Caesar




Spotted: Pinned to own Pinterest, after Google Image Search, 16 July 2018

"Triumph of Caesar" is a salon fresco in the Medici Villa in Pogio a Caiano in Florence, Italy. It's one of the the Medici's commissions to Andrea Del Sarto, who was born on 16 July 1486, on the month named after Julius Caesar.

Art in Tuscany notes, however, that the unfolding narrative on the painting "alludes to events of purely local import, such as the return of Cosimo de' Medici from exile in 1434 or the donation of the Sultan of Egypt to the Florentines in 1487 of a menagerie of exotic animals."

The fresco was completed by another artist, Alessandro Alliori.


[This post is antedated: 20180725]

Summer Morning




Spotted: Pinned on own Pinterest, after Google Image Search, 16 July 2018

Jean-Baptise-Camille Corot, born on 16 July 1796 in Paris, on the month when summer is ablaze in the Northern Hemisphere. His work, "Summer Morning" has the quality associated with the Barbizon School, so named after the usual gathering place of artists in France.

This work is in the collection of the National Gallery in London, but not currently on display; from the Gallery's website, described:
The exact location of this scene has not been identified. The theme of figures and animals next to a watering place is widespread in his work, and illustrates how the evocation of mood eventually became more important to the artist than the specific nature of a particular location.

[This post is antedated: 20180725]

Sunday, July 15, 2018

The Art Lover's Cookbook




Semi-random selection. Page 105 of The Art Lover's Cookbook: A Feast for the Eye contains David Gilhooly's "My Daily Bread" (1983), part of the Anderson Graphic Arts Collection of the Fine Arts Museums of San Francisco, who published this volume on occasion of the exhibition A Feast for the Eye: Food in Art, held in 1998.

On the opposite page were ingredients and cooking and/or preparation instructions for Pilaf with Chicken and Orange Zest, and Piquant Turkey-Spinach Loaf, all part of the chapter "Meat, Poultry, Fish, and Seafood."

I've pre-selected titles from my personal library at home for themes on food, cooking, eating or dining, and nutrition. In the Philippines, Nutrition Month is observed every July by virtue of Presidential Decree No. 491 in 1974.


[This post is antedated: 20180724]

A Quick Guide to Filipino Food and Cooking




Semi-random selection. Spread of pages 82 and 83 of A Quick Guide to Filipino Food and Cooking by Cris C. Abiva (published by Anvil, copyrighted by the author, 2001) contain Filipino terms that start with the letter "P." It's from my grandparents that I learned to use the word pamutat.

In the Introduction (page vii), the author explained: "...when one needs definitions or descriptions of local ingredients... or regional dishes... or recipes and equipment from long ago, one would have to go through several books just to get them. This book hopes to solve the problem by putting together a core listing of terms for dishes, eating and cooking utensils and equipment, gustation, cooking methods, ingredients and others that apply to Filipino food and cooking."

I've pre-selected titles from my personal library at home for themes on food, cooking, eating or dining, and nutrition. In the Philippines, Nutrition Month is observed every July by virtue of Presidential Decree No. 491 in 1974.


[This post is antedated: 20180724]

The House Book




Non-random page selection. Page 229 of The House Book by Sir Terence Conran (first published in 1974) begins the chapter on Kitchens. The chapter begins: "The easiest way to plan a new kitchen is to treat it like cooking a good meal. You have to make many of the same decisions: whom is it for? how many? what are the ingredients? how should they go together? and what should it cost?"

Top of two photos on this page is one of those I fondly remember this book for. Caption on this photo (labeled number 1): "Warm and welcoming: here, natural materials wood, copper and brass, create an atmosphere of workman-like comfort."

I've pre-selected titles from my personal library at home for themes on food, cooking, eating or dining, and nutrition. In the Philippines, Nutrition Month is observed every July by virtue of Presidential Decree No. 491 in 1974.


[This post is antedated: 20180724]

Everyday Life Through the Ages




Non-random selection. Page 143 of Everyday Life Through the Ages, published by Reader's Digest in 1992, is a section about "Food and Finery in a Town House," which is part of the chapter on Castle, Town and Church: Western Europe, AD 1000-1450.

Caption on the picture top left side of the page: "Winter warmer. The cold months of winter were the traditional time for eating and drinking more than the usual. Here a wealthy merchant, well wrapped in a fur-lined coat, warms himself by the fire, while his servants bring in soup and meat from the kitchen." On the acknowledgment pages (page 382), the illustration is credited to Pierpont Morgan Library, year 1991.

I've pre-selected titles from my personal library at home for themes on food, cooking, eating or dining, and nutrition. In the Philippines, Nutrition Month is observed every July by virtue of Presidential Decree No. 491 in 1974.


[This post is antedated: 20170724]

The Other Book




Non-random selection. The spread of pages 130 and 131 of The Other Book by Mitchell Symons (published by Bantam Press in 2005) contains "People who own(ed)/co-own(ed) restaurants." Some of these I already knew (e.g. Jennifer Lopez and Madre's, Sylvester Stallone, et al and Planet Hollywood, Robert De Niro, et al and TriBeCa).

I've pre-selected titles from my personal library at home for themes on food, cooking, eating or dining, and nutrition. In the Philippines, Nutrition Month is observed every July by virtue of Presidential Decree No. 491 in 1974.


[This post is antedated: 20180724]

Saturday, July 14, 2018

Daniel





"Daniel" by Sir Elton John, from his album Don't Shoot Me I'm Only the Piano Player, ranked 48th on the Year-end Billboard Hot 100 chart of my birth year.
Oh oh, Daniel my brother you are older than me
Do you still feel the pain of the scars that won't heal?
Your eyes have died, but you see more than I
Daniel you're a star in the face of the sky
I've once wondered who Daniel, the song's subject was. According to Bernie Taupin, who co-wrote the song:
The story was about a guy that went back to a small town in Texas, returning from the Vietnam War. They'd lauded him when he came home and treated him like a hero. But, he just wanted to go home, go back to the farm, and try to get back to the life that he'd led before. I wanted to write something that was sympathetic to the people that came home.
Some other trivia from the Wikipedia article: (1) that Taupin based Daniel's story from a Newsweek or Time story; (2) that Donatella Versace named her son "Daniel" after this song; and (3) that when the song was first released as a single, on the B-side was "Skyline Pigeon" (which is one of my videoke standards).

I've been posting on liwaliw Sounds a selection of Billboard Hot 100 chart-toppers since May. Decided to go through the list and share until the 100th rank is reached.

Could It Be I'm Falling in Love?





"Could It Be I'm Falling in Love" by the Spinners (known as Detroit Spinners on the other side of the Atlantic), from their self-titled album, ranked 47th on the Year-End Billboard Hot 100 on my birth year.
I don't need all those things that used to bring me joy
You made me such a happy boy
And honey you'll always be the only one for me
Meeting you was my destiny
I've also heard a few of the song's cover versions, one by Donny Osmond, and another by Regina Belle. All of them excellent to my ears.

I've been posting on liwaliw Sounds a selection of Billboard Hot 100 chart-toppers since May. Decided to go through the list and share until the 100th rank is reached.


[This post is antedated: 20180725]

Latepost: Arts and crafts shine



Dateline: 16 June 2018, Megatrade Hall, Mandaluyong City

Was able to catch the Sikat Pinoy National Arts and Crafts Fair just before it concluded (ran from 14 to 17 June). Sikat Pinoy is a brand of the Bureau of Domestic Trade Promotion of the Department of Trade and Industry. I would consider this the highlight of my Independence Day liwaliw. (Almost thought there wouldn't be one this year.)

Of the reported 150 exhibitors at the fair, there were some that I've already encountered either at last year's Sikat Pinoy, or at some other event. But still went home with new finds including monster ragpets, stainless steel play cookware, and letter openers ornamented with native fauna. Except for the cookware, these purchases are already planned for gifting to friends, family and colleagues.

Missed out on a major side event, though: the NCCA on Facebook announced that former Chair Felipe M. De Leon, Jr. was to launch his book Linangin ang Likhang Bayan at the fair on 17 June.


[This post is antedated: 20180716]

Latepost: National sentiment


A post shared by Glenn Cruz (@glenncruz_ph) on


Dateline: 13 June 2018, Glorietta Activity Center, Makati City

In time for Independence Day, the 20th Global Pinoy Bazaar opened at the Glorietta in Ayala Center, Makati City, organized by Yabang Pinoy (Facebook), celebrating Filipino ingenuity. Rains dampened my drive for Independence Day liwaliw. But it also seemed to me that people were generally not in any level of celebratory mood. (But the usual polarities and negativity abound on SocMed - no amount of rain can stop them trolls.)

With reference to above Instagram post, a colleague told me that canned fish could actually be in a better position compared to Metro Manila's light-rail train commuters. Allegedly, some brands of canned fish only contain one or two pieces of fish that float comfortably in tomato or some other sauce.


[This post is antedated: 20180716]

Latepost: Cretaceous creations




Dateline: 02 June 2018, National Museum of Natural History, Manila

Detail of a fossil of an ammonite mollusk - "Cleoniceras species of Ammonitida, Madagascar, Middle Cretaceous Period (ca. 100 million years old)" - gift of Larry and Pat Gotuaco to the collection of the National Museum of Natural History.

In 2008, the Ayala Museum in Makati City hosted the exhibition "Images in Stone: Art in Fossils from the Larry Gotuaco Collection" from September 16 to 30 November. Another exhibition, as soft launch for Gotuaco's book (published by Bookmark Incorporated) was held at the Manila Polo Club, Forbes Park, Makati City on 11 November 2011.


[This post is antedated: 20180716]

Friday, July 13, 2018

Heart of Glass





(Memory Served: Sometime between 2006 and 2010, Makati City)

"Heart of Glass" by Blondie was a late 70s to early 80s hit from the group's album Parallel Lines. Considered by DigitalDreamDoor as one of the greatest new wave songs - the list changes over time as it is actively discussed on the site's forums, but this and another Blondie hit, "One Way or Another," seem to have staying power. Currently Heart of Glass is at the number 34 spot.

BFF Eon and I bonded over this list when we used to live together, and he particularly raved at his rediscovery of Blondie and Debbie Harry. (He was a kid of born in the 90s music scene.) It's his birthday today, so this here is a modest liwaliw Memories gesture to celebrate the occasion.

Tuesday, July 10, 2018

Precious and few




Dateline: 10 July 2018, Pasay City

This Instagram embed was originally intended for (belatedly) welcoming the month of July, which in the Northern Hemisphere, is a month ablaze with summer's heat, or "the dog days of summer." But today, I read from a BFF's Facebook status that his beloved golden passed away, presumably due to kidney complications, while the dog's human was out of the country. Us friends, the doting titos and titas, share in the grief. One day - maybe sooner than we think at the moment - we will rejoice with the repeated retelling of memories of happiness brought about by such a gentle golden retriever.

"Precious and few," I planned to talk about how little time I do get blogging stuff lately. But now, this title seems now more apt to the time humans get to spend and benefit from the lifetime loyalty and unconditional love of their furry babies. (Here's a dog age chart for comparison.)




And for those curious about the music used above, I found it on Youtube.


Friday, July 6, 2018

The Beginning of My Worthlessness




Second of two excess materials from my planned posts on June, pre-selected titles for liwaliw Pages in celebration of LGBT Pride. Random number between 1 and 286, page 42 of Queer 13: Lesbian and Gay Writers Recall Seventh Grade is part of the "The Beginning of My Worthlessness" by Justin Chin. This excerpt caught my eye first, and I felt traumatized after reading through. I even dreamed an ugly dramatization of it. Chin's guardian Aunt Jessie, or Jamesy was described in a later paragraph: "Jamesy was instinctively good at violence. She'd beat us and then go to her prayer meetings and Bible studies."

Here's how Chin concludes, though:
This is what I now know of homosexuality. That it is okay. That it is a sin if done wrong. That it is a better sin if done just right. That the boys who join Drama Club now are still gay, and the ones before them are doing all right for themselves. That it means a life of fear, not for being found out, but for being bashed or killed. That it means a life of courage, of struggle, of real family. That it continually tests what I know of love. That it gave me back some semblance of myself. And that it brought about the end of my worthlessness.
(Inside the Contributors section: "Justin Chin is a writer and performance artist. He is the author of Bite Hard and the forthcoming Mongrel: Essays, Diatribes and Rants.")

Queer 13 is edited by Clifford Chase, with foreword by Dale Peck, and published by HarperCollins. The blurb on the back cover somehow perfectly captures the mixed-up way I feel when I recall memories of my own circa-age-13 days: "[E]very day held the possibility of discovery -- and complete humiliation... a passage into adulthood that was as memorable as it was agonizing."

Michael Cunningham




First of two excess materials from planned posts in June, pre-selected titles for liwaliw Pages in celebration of LGBT Pride. Random number between 1 and 282, page 8 of The Letter Q: Queer Writers' Notes to Their Younger Selves contains the beginning of Pulitzer Prize winner Michael Cunningham's letter to his mid-twenties self.

The Letter Q is edited by Sarah Moon, published by Arthur A. Levine Books. Some of the authors I recognize in this anthology include Cunningham (Home at the End of the World and The Hours), Christopher Rice, David Levithan, Howard Cruse, Brian Selznick, Terrence McNally, Brent Hartinger, Armistead Maupin, Michael Nava, Paul Rudnick, Eric Orner, and David Leavitt. Big names.

On the front flap of the book jacket: "Through stories, in pictures, with bracing honesty, these are words of love and understanding, reasons to hold on for the better future ahead. They will tell you things about your favorite authors that you never knew before. And they will tell you about yourself."

Every Breath You Take





"Every Breath You Take" by The Police (fronted by Sting), from their album Synchronicity was the number one song on the Year-end Billboard Hot 100 in 1983, my brother's birth year.
Every single day
Every word you say
Every game you play
Every night you stay
I'll be watching you
It was a very big hit then, and, I am sure, the song's popularity has not faded over the years. Back in the more innocent 1980s, songs like this would have spoken to us of the irresistible lure of love's passions. Nowadays? Go ahead, read the lyrics (and shut out the cool rhythm for awhile): it's romanticized stalking.

Turns out, 1983 was hit after hit after hit. I would have enjoyed this immensely had I been aware of the Billboard Hot 100 then. Just the top ten is already way too cool:

  1. "Every Breath You Take" by the Police
  2. "Billie Jean" by Michael Jackson
  3. "Flashdance... What a Feeling" by Irene Cara
  4. "Down Under" by Men at Work
  5. "Beat It" by Michael Jackson
  6. "Total Eclipse of the Heart" by Bonnie Tyler
  7. "Maneater" by Hall and Oates
  8. "Baby, Come to Me" by Patti Austin and James Ingram
  9. "Maniac" by Michael Sembello
  10. "Sweet Dreams (Are Made of This)" by the Eurythmics

Thursday, July 5, 2018

Little Dog, Paris, 1928





Spotted: From "On This Day" of own Facebook account
(Memory Served: 04 July 2015, Las Pinas City)

Inspired by a successful comments-section banter with one BFF, I decided one day to feature art trivia as profile and cover photos on my Facebook account, called it monthly art trivia duo. This folly ran for almost four years until 2016. One of my favorites was this Andre Kertesz photo of a boy holding a puppy, noted taken in Paris in 1928. I placed this as my profile pic, and the cover pic counterpart was a still life by Frida Kahlo.

Pioneer art photographer Kertesz was born on 02 July 1894, and the month of July in the Northern Hemisphere was known to be called the "dog days of summer." (Kahlo was born 06 July 1907.)

Got the title from a Tumblr blog, but someplace else, it was called "Boy Holding Puppy." The more authoritative bpkBILDAGENTUR noted the title of this popularly shared Kertesz piece was "Le petit chien ou Paris, Saint-Michel, le marchรฉ aux animaux." Almost a whole night of searching did not go wasted (as in previous attempts researching locations of artworks). A few hours before Manila began to stir awake, I finally learned that this is part of the collection of Centre George Pompidou in Paris.

Wednesday, July 4, 2018

Neither One of Us (Wants to be the First to Say Goodbye)





"Neither One of Us (Wants to be the First to Say Goodbye)" by Gladys Knight and the Pips was one of two chart-topping singles from the album Neither One of Us. It ranked 45th on the Year-End Billboard Hot 100 Chart on my birth year.
Ooh, every time I find the nerve
Every time I find the nerve to say I´m leavin´
Oh, memories, those old memories
Get in my way
 
Oh, Lord knows it´s only me, only knows it´s only me
That I´m deceiving
When it comes to say goodbye
That´s a simple word that I just cannot say
I've been posting on liwaliw Sounds a selection of Billboard Hot 100 chart-toppers since May. Decided to go through the list and share until the 100th rank is reached.

Tuesday, July 3, 2018

David Hockney's Dog Days




Spotted: "Kazue Kikuchi" after Google Image and Pinterest search, 03 July 2018

"Dog days" begin in early July in the Northern Hemisphere, refers to the "hot sultry weather of summer." And David Hockney's Dog Days, the book published by Thames and Hudson, is a collection of the artist's paintings and drawings of his dachshunds; Hockney was born 09 July 1937.

As advertised on Amazon.com, Hockney remarked on this work, a labor of his love:
I make no apologies for the apparent subject matter. These two dear little creatures are my friends. They are intelligent, loving, comical, and often bored. They watch me work; I notice the warm shapes they make together, their sadness and their delights. And, being Hollywood dogs, they somehow seem to know that a picture is being made.
Coincidentally, July is Hot Dog Month in the US, designated by the National Hot Dog and Sausage Council.

Sunday, July 1, 2018

We'll make you happy




Memory Served: Sometime between 1996 and 1998, Quezon City

Did a "Dreamgirls" drag impersonation number as part of the reunion party of participants, facilitators and volunteers of Batch 33 of The Library Foundation's Healthy Interaction and Values Workshop. There were four of us batchmates that did this number: Rollie P., who was the choreographer and the most talented (and I believe he actually did drag impersonations part-time); Wally, who was a schoolmate in college then; Red, who was an HMUA professionally (with him I first experienced getting my eyebrows sculpted); and yours truly. The reunion was held at the residence of another batchmate, Mike D., somewhere in UP Teachers Village in Quezon City.

Ours was nothing as amazing as this one, though, but the applause from our audience could have been comparable. I've now forgotten the number of times I watched this; at times, also coupled with fond remembering of our amateur take on this. It felt wonderful to mouth those words, "Boys! We'll make you happy."